Born in East Berlin 

STASI MUSEUM, DECEMBER 2019

San Francisco Playhouse 2020

In 1988, Bruce Springsteen played a legendary concert in East Germany and 300,000 people showed up. Born in East Berlin explores the ultimate juxtaposition between the freedom of a rock concert and the captivity of an oppressive government during the time of a great historical and cultural shift. Who will succeed and who will fail when the end of the Cold War backs up against the force of American rock and roll?

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Springsteen Concert. East Berlin. 1988

Springsteen Concert. East Berlin. 1988

San Francisco Playhouse 2020

San Francisco Playhouse 2020

San Francisco Playhouse 2020

San Francisco Playhouse 2020

What must it have been like to know rock ‘n’ roll only through contraband records, only in the rare moments when tinfoiled antennas can beam in MTV, between power shut-offs — and then suddenly have the chance to get close enough to Springsteen to feel his glow, his sweat?

Martinez’s play, directed by Margarett Perry, shows how imagination is an act of compassion, how asking, “What must it have been like for you?” humanizes those whom we would make other or lesser. Martinez, who fled Cuba as a child in 1980, is astute about how life under an authoritarian government, where you’re always being watched and anyone in your life might betray you at any time, is a bit like being trapped inside an absurdist play.

“Born” makes it understandable, natural that a shopper would insist that a clerk (Lauren Hart) sell her two left shoes, or that a pair of would-be lovers (Von Wulfen and Christopher Reber) might suss each other out by telling jokes that get increasingly morbid, until no one can laugh any more, or that within moments of meeting, Anne would be teasing with hairspray the mane of a staffer at her hotel.

Lily Janiak, San Francisco Chronicle